{"id":816,"date":"2005-06-29T15:47:21","date_gmt":"2005-06-29T13:47:21","guid":{"rendered":"http:\/\/www.ooops.pl\/makowskiundpepe\/?p=816"},"modified":"2005-06-29T15:47:21","modified_gmt":"2005-06-29T13:47:21","slug":"scissors-art","status":"publish","type":"post","link":"https:\/\/ooops.pl\/?p=816","title":{"rendered":"scissors art"},"content":{"rendered":"<p><a href=\"http:\/\/www.lococofineart.com\/artist_main.php?artist=William%20S.%20Burroughs&#038;artistid=6&#038;index=1\"target=\"_blank\"><img decoding=\"async\" src=\"http:\/\/www.ooops.pl\/makowskiundpepe\/images\/burroughslust.jpg\" alt=\"\" \/><\/a><\/p>\n<ol><em>Later, attempting to understand this impact, I discovered that <a href=\"http:\/\/www.lococofineart.com\/artist_main.php?artist=William%20S.%20Burroughs&#038;artistid=6=1\"target=\"_blank\"><strong>Burroughs<\/strong><\/a> had incorporated snippets of other writers&#8217; texts into his work, an action I knew my teachers would have called plagiarism.<br \/>\nSome of these borrowings had been lifted from American science fiction of the &#8217;40s and &#8217;50s, adding <a href=\"http:\/\/www.wired.com\/wired\/archive\/13.07\/gibson.html?tw=wn_tophead_6\"target=\"_blank\">a secondary shock of recognition for me<\/a>.<br \/>\n(\u2026)<br \/>\nSampling. Burroughs was interrogating the universe with scissors and a paste pot, and the least imitative of authors was no plagiarist at all.<br \/>\nSome 20 years later, when our paths finally crossed, I asked Burroughs whether he was writing on a computer yet.<br \/>\n&#8222;What would I want a computer for?&#8221; he asked, with evident distaste. &#8222;I have a typewriter.&#8221;<br \/>\nBut I already knew that word processing was another of God&#8217;s little toys, and that the scissors and paste pot were always there for me, on the desktop of my Apple IIc. Burroughs&#8217; methods, which had also worked for Picasso, Duchamp, and Godard, were built into the technology through which I now composed my own narratives. Everything I wrote, I believed instinctively, was to some extent collage. Meaning, ultimately, seemed a matter of adjacent data.<\/em><\/ol>\n<p><a href=\"http:\/\/pracownia52.pl\/www\/index.php?p=136\"target=\"_blank\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/www.pracownia52.pl\/www\/photo\/albums\/userpics\/10001\/scissors-art.jpg\" width=\"200\" height=\"208\" alt=\"\" \/><\/a><br \/>\ni tak teraz <em>my\u015bl\u0119<\/em>, \u017ce najwi\u0119kszy mam \u017cal do <strong>bolszewik\u00f3w<\/strong> (tfu!), \u017ce nas od \u015bwiata<br \/>\no d d z i e l i l i. . .<br \/>\ni \u017ce wywa\u017cali\u015bmy drzwi (do percepcji) ju\u017c dawno szeroko otwarte\u2026<br \/>\n<!--more--><\/p>\n<ol><em>We seldom legislate new technologies into being. They emerge, and we plunge with them into whatever vortices of change they generate. We legislate after the fact, in a perpetual game of catch-up, as best we can, while our new technologies redefine us &#8211; as surely and perhaps as terribly as we&#8217;ve been redefined by broadcast television.<br \/>\n&#8222;Who owns the words?&#8221; asked a disembodied but very persistent voice throughout much of Burroughs&#8217; work. Who does own them now? Who owns the music and the rest of our culture? We do. All of us.<br \/>\nThough not all of us know it &#8211; yet.<\/em><\/ol>\n<p>znakomity text.<br \/>\nspore fragmenty \u2013 bo mo\u017ce (kiedy\u015b) <a href=\"http:\/\/www.wired.com\/\"target=\"_blank\"><strong>Wired<\/strong><\/a> zmieni polityk\u0119\u2026<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Later, attempting to understand this impact, I discovered that Burroughs had incorporated snippets of other writers&#8217; texts into his work, an action I knew my teachers would have&#8230;<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[18],"tags":[],"class_list":["post-816","post","type-post","status-publish","format-standard","hentry","category-projektowanie"],"_links":{"self":[{"href":"https:\/\/ooops.pl\/index.php?rest_route=\/wp\/v2\/posts\/816","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ooops.pl\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ooops.pl\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ooops.pl\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/ooops.pl\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=816"}],"version-history":[{"count":0,"href":"https:\/\/ooops.pl\/index.php?rest_route=\/wp\/v2\/posts\/816\/revisions"}],"wp:attachment":[{"href":"https:\/\/ooops.pl\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=816"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ooops.pl\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=816"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ooops.pl\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=816"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}