{"id":19107,"date":"2012-08-31T05:49:47","date_gmt":"2012-08-31T04:49:47","guid":{"rendered":"https:\/\/ooops.pl\/?p=19107"},"modified":"2012-08-31T05:59:57","modified_gmt":"2012-08-31T04:59:57","slug":"czego-nie-mozna-o-tym-trzeba-milczec","status":"publish","type":"post","link":"https:\/\/ooops.pl\/?p=19107","title":{"rendered":"czego nie mo\u017cna [\u2026] o tym trzeba milcze\u0107."},"content":{"rendered":"

Ludwig Wittgenstein<\/strong>\u2019s passion for looking, not thinking<\/p>\n

    Ray Monk<\/strong><\/a> decodes the philosophy in the philosopher’s photographs.<\/ol>\n<\/blockquote>\n

    \"\"<\/a>
    \n
    \n…………………….<\/p>\n

    It was fundamental to Wittgenstein\u2019s thinking \u2013 both in his early work Tractatus Logico-Philosophicus and in his later work Philosophical Investigations \u2013 that not everything we can see and therefore not everything we can mentally grasp can be put into words. In the Tractatus<\/strong>, this appears as the distinction between what can be said and what has to be shown. \u201cWhereof one cannot speak, thereof one must be silent,\u201d runs the famed last sentence of the book<\/a> but, as Wittgenstein made clear in private conversation and correspondence, he believed those things about which we have to be silent to be the most important. (Compare this with the logical positivist Otto Neurath<\/strong>, who, echoing Wittgenstein, declared: \u201cWe must indeed be silent \u2013 but not about anything.\u201d)<\/p><\/blockquote>\n

    …………………….
    \na ponadto przypominamy, \u017ce dzi\u015b pe\u0142nia jest:
    \ni mo\u017cna si\u0119     spotka\u0107<\/a>. i pomilcze\u0107, razem: wszak taka pe\u0142nia \u2013 pono\u0107 raz na kilka lat<\/a> si\u0119 trafia\u2026<\/p>\n

    Wspomina Richard Dawkins<\/strong>: <\/p>\n

      Wiele lat p\u00f3\u017aniej, gdy sam zosta\u0142em wyk\u0142adowc\u0105, mia\u0142em studentk\u0119, kt\u00f3ra przyj\u0119\u0142a niecodzienny nawyk. Gdy zadawa\u0142em jej wymagaj\u0105ce g\u0142\u0119bszego namys\u0142u pytanie, zaciska\u0142a powieki, nag\u0142ym ruchem opuszcza\u0142a g\u0142ow\u0119 na piersi i trwa\u0142a tak w bezruchu nawet p\u00f3\u0142 minuty, po czym podnosi\u0142a g\u0142ow\u0119, otwiera\u0142a oczy i udziela\u0142a p\u0142ynnej, inteligentnej odpowiedzi. Bawi\u0142o mnie to i kt\u00f3rego\u015b dnia odegra\u0142em t\u0119 scenk\u0119, aby zabawi\u0107 koleg\u00f3w po obiedzie.
      \nZnajdowa\u0142 si\u0119 w\u015br\u00f3d nich pewien wybitny \uf001lozof z Oxfordu. Gdy tylko zobaczy\u0142 m\u00f3j pokaz, powiedzia\u0142:
      \n\u201eTo Wittgenstein! Czy ona nie nazywa si\u0119 czasem\u2026?\u201d Zaskoczony przyzna\u0142em, \u017ce istotnie.
      \n\u201eTak w\u0142a\u015bnie my\u015bla\u0142em\u201d, stwierdzi\u0142 m\u00f3j kolega. \u201eOboje jej rodzice s\u0105 \uf001lozofami i oddanymi uczniami Wittgensteina\u201d. Nawyk wielkiego \uf001lozofa przeni\u00f3s\u0142 si\u0119, za po\u015brednictwem jednego lub obojga rodzic\u00f3w, na moj\u0105 studentk\u0119. Przypuszczam, \u017ce cho\u0107 t\u0119 scenk\u0119 odegra\u0142em dla \u017cartu, musz\u0119 si\u0119 zaliczy\u0107 do czwartej generacji os\u00f3b, przenosz\u0105cych ten gest. A kto wie, sk\u0105d wzi\u0105\u0142 si\u0119 on u samego Wittgensteina?<\/ol>\n

      Ukryt\u0105 wiedz\u0119 nazywano kiedy\u015b prawd\u0105 zaginion\u0105, utracon\u0105, zapomnian\u0105, zas\u0142oni\u0119t\u0105, i prze\u017cyt\u0105. I do ka\u017cdego z okre\u015ble\u0144 dopisywano przepisy, oparte na przes\u0105dach, zabobonach, gus\u0142ach przepowiedniach, <\/p><\/blockquote>\n

      <\/a>S\u0142. Go\u0142aszewski<\/strong> \u201eReggae Rastafari [regementarz]\u201d
      \n(str. 275)
      \n…………………….
      \ndo       zobaczenia<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"

      Ludwig Wittgenstein\u2019s passion for looking, not thinking Ray Monk decodes the philosophy in the philosopher’s photographs.<\/p>\n","protected":false},"author":1,"featured_media":19109,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4,9,16,409],"tags":[],"class_list":["post-19107","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-muzyka","category-camera-obscura","category-poglady","category-look-on-the-bright-side"],"_links":{"self":[{"href":"https:\/\/ooops.pl\/index.php?rest_route=\/wp\/v2\/posts\/19107","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ooops.pl\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ooops.pl\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ooops.pl\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/ooops.pl\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=19107"}],"version-history":[{"count":15,"href":"https:\/\/ooops.pl\/index.php?rest_route=\/wp\/v2\/posts\/19107\/revisions"}],"predecessor-version":[{"id":19123,"href":"https:\/\/ooops.pl\/index.php?rest_route=\/wp\/v2\/posts\/19107\/revisions\/19123"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/ooops.pl\/index.php?rest_route=\/wp\/v2\/media\/19109"}],"wp:attachment":[{"href":"https:\/\/ooops.pl\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=19107"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ooops.pl\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=19107"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ooops.pl\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=19107"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}