{"id":18411,"date":"2012-07-17T07:14:04","date_gmt":"2012-07-17T06:14:04","guid":{"rendered":"https:\/\/ooops.pl\/?p=18411"},"modified":"2012-07-17T07:20:47","modified_gmt":"2012-07-17T06:20:47","slug":"sopot-social-life","status":"publish","type":"post","link":"https:\/\/ooops.pl\/?p=18411","title":{"rendered":"sopot social life."},"content":{"rendered":"

\"\"<\/a>
\n
z inspiracji wiadomej (chyba).<\/p>\n

To listen to her recorded output is to experience someone reworking expectations of what you should be hearing. One early piece used a detuned sitar and a telephone („New York Social Life<\/strong>„)<\/p>\n

    The Laurie Anderson Interview<\/a>
    \nOriginally published in the September 1985 issue of Electronic Musician.<\/ol>\n<\/blockquote>\n

    ………………….
    \nasambla\u017ce Panie: nic, tylko kulturowe     Ass ambla\u017ce<\/a>.
    \n(a wszystkie ju\u017c by\u0142y: originally published,     Tam<\/a> — i tu [niekiedy.])
    \n………………….
    \nco\u015b z tego wynika? nic.
    \nwiadomo.
    \n
    \n………………….
    \nasambla\u017ce?
    \n(tylko) Forma?
    \nno, nie wiem\u2026
    \n………………….
    \n\u017ce niby koniec Historii<\/em>? \u017ceby\u2026
    \nale nie: trzeba si\u0119 m\u0119czy\u0107 dalej.
    \npowielaniem.
    \n………………….<\/p>\n

    Please note that this work contains images of explicit violence and nudity.<\/p>\n

      Edward Kienholz: Five Car Stud 1969\u20131972, Revisited<\/a><\/ol>\n<\/blockquote>\n

      tak: zmieniamy si\u0119 — jeste\u015bmy dzi\u015b Skromniejsi i Bardziej Wra\u017cliwi na.
      \nPlease note that.
      \n………………….<\/p>\n

        (\u201ePlease note that this City contains images of explicit violence and nudity\u201d)<\/ol>\n","protected":false},"excerpt":{"rendered":"

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