Recently, I picked up “Letters to a Young Poet,” by Rainer Maria Rilke, to read for the second time. I had fallen in love with the book when I was 17 and daydreamed about meeting the author, whom I imagined to be a kind, prophetic soul. Realizing now how little I knew about Rilke’s life, I Googled him.
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Mitch BluntI wish I hadn’t. A line from John Berryman’s poem “Dream Song 3” popped up: “Rilke was a jerk.” I clicked on a link to a Washington Post review of “Life of a Poet,” a biography of Rilke by Ralph Freedman. “On page after page it portrays one of the most repugnant human beings in literary history,” the critic Michael Dirda wrote.
How could the kind prophet whose lengthy passages I’d copied into my teenage diary be a selfish, sycophantic, womanizing rat?
„Fallen Idols”
Margo Rabb
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i jeszcze:
Laurie Halse Anderson, the author of “Speak,” also feels that biographies can make authors lose their luster. “A book is like sausage,” she told me. “You love the end product, but you don’t really want to know how it’s made.”
od dawna nie jem Parówek.
Tesz pożuciłem paruwki ot dawna. A jak spotykam w drodze renkawiczke to się kłaniam do Pana. Tyn sposobem wrus Pan w krajzobras z resztą. Posdrawiam.
Naftalina… tak pan mówił?
tak: parówki mogą być tez z naftaliny; bo z Mjęsa to za drogo wychodzi. no, chyba, że Hińskie. te są z Miodu.